They have the best of intentions. What could go wrong?
Claire Talbot is the publicist at Children of the World, an international aid charity. Morally burnt out after decades working in reputation management, Claire is relieved to finally use her PR skills for good. Too bad the organization is on the verge of bankruptcy. In a last-ditch effort to keep them afloat, Claire arranges for an A-list actress to volunteer at one of their overseas orphanages. When the actress decides to adopt a baby and promises a massive donation, it seems as if Claire has single-handedly saved the day. But after a journalist digs into their operations and reveals a shocking crime, Claire and her colleagues must reckon with their complicity and all the ways their work abroad has harmed the very people they set out to save.
Moving between Children of the World’s headquarters in Toronto and their compound in Central America, Good Guys charts the charity’s rise and fall. Scathing yet compassionate, the novel is a thought-provoking exploration of power, philanthropy, and the lengths we go to for redemption. Emotionally engrossing, tightly paced, and sharply observed, it ultimately asks: Is it possible to do good in an imperfect world?
Claire Talbot is the publicist at Children of the World, an international aid charity. Morally burnt out after decades working in reputation management, Claire is relieved to finally use her PR skills for good. Too bad the organization is on the verge of bankruptcy. In a last-ditch effort to keep them afloat, Claire arranges for an A-list actress to volunteer at one of their overseas orphanages. When the actress decides to adopt a baby and promises a massive donation, it seems as if Claire has single-handedly saved the day. But after a journalist digs into their operations and reveals a shocking crime, Claire and her colleagues must reckon with their complicity and all the ways their work abroad has harmed the very people they set out to save.
n 2017, Sharon won the Journey Prize and had a second story long-listed in the anthology. A three-time recipient of Newfoundland and Labrador's Arts and Letters award, she has stories published in Hazlitt, Grain, Maisonneuve, The Dalhousie Review, Riddle Fence, Room, Prism international, The New Quarterly, and in an anthology called Racket: New Writing From Newfoundland (Breakwater Books, Fall 2015). She is currently the Creative Non-Fiction Editor at Riddle Fence, where she has previously published arts critique. Her essays have been published in Maclean’s Magazine and The Globe & Mail.
Sharon is a member of the Port Authority writing group. They can occasionally be found on Friday mornings, writing quietly at a microbrewery near the St. John’s harbour.
In her past lives, she worked in public relations, event planning, and enjoyed a brief stint as a British housewife. Today, she earns her bread with words. She's available for speaking engagements, to write articles and essays, adjudicate competitions, teach workshops, for manuscript evaluations, editorial aid, and mentorship.
Sharon holds a BA (Honours) in Psychology and History from Queen’s University and an MA in History from the University of Toronto. She lives on the island of Ktaqmkuk (Newfoundland), which is the unceded, traditional territory of the Beothuk and the Mi'kmaq, with her husband, the mathemagician Tom Baird.
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They have the best of intentions. What could go wrong?
Claire Talbot is the publicist at Children of the World, an international aid charity. Morally burnt out after decades working in reputation management, Claire is relieved to finally use her PR skills for good. Too bad the organization is on the verge of bankruptcy. In a last-ditch effort to keep them afloat, Claire arranges for an A-list actress to volunteer at one of their overseas orphanages. When the actress decides to adopt a baby and promises a massive donation, it seems as if Claire has single-handedly saved the day. But after a journalist digs into their operations and reveals a shocking crime, Claire and her colleagues must reckon with their complicity and all the ways their work abroad has harmed the very people they set out to save.
Moving between Children of the World’s headquarters in Toronto and their compound in Central America, Good Guys charts the charity’s rise and fall. Scathing yet compassionate, the novel is a thought-provoking exploration of power, philanthropy, and the lengths we go to for redemption. Emotionally engrossing, tightly paced, and sharply observed, it ultimately asks: Is it possible to do good in an imperfect world?
Check these out, too!
Check these out, too!
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